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The American Short(er) Fiction Prize is now Closed

by ASF Editors | January 12, 2018

AmericanShortERFictionPrizeImageThe American Short(er) Fiction Prize is now closed for submissions. Thank you to everyone who entered! We look forward to reading your work. A winner and runner-up will be announced in the coming months.

     *     *     *

We are thrilled to announce that Amber Sparks will be judging this year’s American Short(er) Fiction Prize. The prize recognizes extraordinary short fiction under 1,000 words. The first-place winner will receive a $1,000 prize and publication, and the second-place winner will receive $250 and publication. Previous winners of the Short(er) Fiction Prize have gone on to be anthologized in places such as The Pushcart Prize: Best of the Small Presses. All entries will be considered for publication. We’ve extended the deadline to February 15, so there’s still plenty of time to submit!

General Guidelines

– Submit your entry online between November 15, 2017 – February 15, 2018. 

– The first-place winner will receive a $1,000 prize and publication in a future issue of ASF. One runner-up will receive $250 and publication. All entries will be considered for publication.

– Please submit your $17 entry fee and your work through Submittable. We no longer accept submissions by post. International submissions in English are eligible.

– Stories must be 1,000 words or fewer. You are allowed to include up to three stories per entry. Please submit all stories in one document. Each story must begin on a new page and be clearly titled. For the title of your submission list the story titles, separated by a comma. Please DO NOT include any identifying information on the manuscript itself.

– You may submit multiple entries. We accept only previously unpublished work. We do allow simultaneous submissions, but we ask that you notify us promptly of publication elsewhere.

Conflicts of Interest

Staff and volunteers currently affiliated with American Short Fiction are ineligible for consideration or publication. Additionally, students, former students, and colleagues of the judge are not eligible to enter. We ask that previous winners wait three years after their winning entry is published before entering again.

 

AmberSparks.jpg

Amber Sparks is the author of two short story collections, including The Unfinished World and Other Stories, published by Liveright and the recipient of praise from The New York Times, The Washington Post, and the Paris Review. Her short fiction and essays have been featured in Tin House, American Short Fiction, and Granta, among others. She lives in Washington, DC with two cats, a toddler, and an adult human, but you can find her most days online at ambernoellesparks.com and on Twitter at @ambernoelle.

On her taste in fiction, Ms. Sparks has said:

“If I could just write character sketches all day, I would. That’s why I write. I’m so fascinated with people and what they are and what they think they are. My favorite books are usually the ones that people complain about, saying, ‘but nothing HAPPENS.’ I’m like, sweet, what is this book, send it my way! But, of course, character is revealed through action and action is plot, so it’s not to say you don’t need something to happen in a story, even if it’s entirely interior.”

And another time she said this:

“. . .Language is still probably the most important thing to me when telling a story, so I’m always trying to elevate that, make it interesting, stretch it and deform it and make it something new to frame an old story. Because all stories are old stories, right? It’s just finding a new way of telling. I do tend to gravitate toward the fantastic, towards myth and fairy tale, I think partially because it’s what I know, what I grew up reading, and partially because it’s what I’m interested in—I’m not very interested in what can happen, most of the time, but rather what can’t—and I think partially because fairy tales, myths, these are the oldest stories, the stories that humans have been telling each other since the beginning of humans. And I like the idea of starting with the primeval, the basic building blocks, and then applying that framework to our modern lives and machines. I feel like then these stories do two things: say something about us now, and say something about us always, this weird young race that’s just hanging out all alone in this corner of the universe.”

We can’t wait for your submissions. Good luck!

 

Filed Under: NOTEBOOK, NOTEBOOK FEATURE

Primary Sidebar

Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

Issue 81 is out now: guest-edited by Fernando A. Flores, with stories by Julián Delgado Lopera, Carmen Maria Machado, Ruben Reyes Jr., and more. Order yours today!

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Submit now to the Halifax Ranch Fiction Prize, judged by Eric Puchner. Win $2500, publication, and an-expenses-paid writing retreat at the Tasajillo Residency in Texas. Deadline is June 15, 2025.

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