In February's Web Exclusive, "Lake House," a couple has retired to a remote location. We know there is tension between them, and between the narrator and his adult son, but the origins and causes of this tension are only hinted at, the way a painting focuses its composition by suggesting some elements and detailing others. Our more detailed image is that of a drone silently making its way across the treetops of this new territory, reporting strangeness, even its own failure, to the lonely man ... [READ MORE]
NOTEBOOK
Ex Marks the Spot: a Review of Mary Miller’s Always Happy Hour
Always Happy Hour, Mary Miller’s second collection of stories, opens with the strangest dedication I have ever read: "For my exes." Why would one dedicate anything to one’s exes? And not just one ex–not, say, “The One I’m Still Friends With”–but all of them, wholesale? At once blunt and tender, impersonal and twistedly sweet, these three words set a tone for the sixteen stories that follow. Exes–the crowd, the mob, the mass–preoccupy Miller’s aimless heroines. They trail behind the narrative ... [READ MORE]
ASF Contributors Johnston & Henderson Longlisted for the 2017 Sunday Times EFG Short Fiction Award
On the heels of a wonderful AWP conference in Washington, DC, we returned home only to find that recent ASF contributors Bret Anthony Johnston (ASF 63, Fall 2016) and Smith Henderson (ASF 62, Summer 2016) have been included on the longlist for the 2017 Sunday Times EFG Short Fiction Award. Johnston's story, "Half of What Atlee Rouse Knows About Horses" appeared as the issue opener in our special 25th Birthday edition. Henderson's "The Trouble" was the final story in our most recent summer issue. ... [READ MORE]
Editorial Outtakes: Mike Scalise
Editorial Outtakes is a series in which we publish excerpts from recent books that you won’t find anywhere else because, prior the publication, these sections were cut. This installment of Editorial Outtakes features writer Mike Scalise, author of The Brand New Catastrophe, reflecting on some of the particularities of revealing character details in nonfiction. Given that we all grow up (and, presumably, learn a lot about ourselves and the world around us), how does a writer of memoir go about ... [READ MORE]
Web Exclusive Interview: Merrill Feitell
In December's web exclusive story, "The Cupcake Factory," we bear witness to a moment between siblings that we know will become, for one of them, a searing memory. We know because it's told as if the scene is already crystallizing as it unfolds, and with a weight that can only manifest for him down the line. It's an exercise in recognizing ourselves, and in being in multiple places at once: in the present and in the future, looking back at the past. We talked to author Merrill Feitell about how ... [READ MORE]
Web Exclusive Interview: Siân Griffiths
In our January web exclusive story "The Key Bearer's Parents," a pair of loving parents (clowns, by trade) explain how they raised their son in order to try and make sense of his very troubling decision—a decision whose implications seem to depend entirely on the reader's point of view. It's a story that prompts an endless number of questions, so we were thrilled to have the chance to ask them of author Siân Griffiths. Erin McReynolds: This story supposes an alternate present—or a plausible ... [READ MORE]