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Local Folk: Reading with Kester Smith

by Keller Powell | May 2, 2012

Craving a great spring read, but don’t have anything specific in mind? Can’t stop thinking about that book you read last year, but don’t remember the title? You shamefully SparkNoted your way through your high school reading curriculum, and now you deeply regret it? For all these problems and more, Kester Smith is your guy.

Kester is a devoted book reader and bookseller at Austin’s beloved independent literary hub, BookPeople. “I love books, and I love people,” says Kester. “I am clearly working in the right place.” Kester hosts the New & Noteworthy book club, where people who love to talk about the latest fiction get together and do just that. He also hosts The Required Reading Revisited book club, where folks can reread the books they begrudgingly skimmed for homework. Both clubs meet once a month at BookPeople. We applaud Kester’s dedication to Austin’s book-loving community, and asked him to divulge some of his personal favorites.

ASF: Tell us about a favorite book or short story.

Kester: You begin with one of the hardest questions posed to an avid reader and bookseller. It’s impossible to answer. Some of my favorite books that I’ve discovered while working at BookPeople include Colson Whitehead’s The Intuitionist and Michael Crummey’s Galore. Some of my favorites read in book club include Colum McCann’s Let The Great World Spin and John Jeremiah Sullivan’s Pulphead. And my top five works of fiction of all-time are The Brothers Karamazov, The Brothers K, Gilead, Infinite Jest, and The Complete Short Stories of Flannery O’Connor.

ASF: What do you look for when you read a piece of fiction? What makes something resonate and stick with you?

Kester: When I read a piece of fiction, I’m looking for a story that helps get to the heart of things. What’s happening? What’s the point? Who are we and why are we here? What are we about? I like the big questions and I look for stories that ask them; though a good story is only required to ask, not to answer. I want characters that are themselves and not well placed plot drivers. I want dialogue that doesn’t feel scripted. I want a story that helps me understand my own story and the stories of those around me, that helps me understand the world I’m living in and the people in it. I’m looking for timely and timeless, engaging and engaged.

It’s a tall order, I know. Each of those top five have all the qualities that I look for in a story. When I’m looking for something to read, I’m looking for what I found at the heart of each of them.

Café and reading area at BookPeople on North Lamar

ASF: Where is your favorite spot in Austin to delve into a great work of fiction?

Kester: I can read a book just about anywhere and often do. I don’t go anywhere without taking a book along. I’ll read standing in line at the DMV. Ideally though, I’m looking for a comfortable chair (I have back problems) near a nice breeze and a cold beer. I’m tempted to say that I prefer reading spots where I won’t be interrupted, except that those interruptions are often about the book I’m reading, and I like talking books just about as much as I like reading them. If you know a place with comfortable seating, cheap drinks, and folks that like to talk books, send me an address.

Filed Under: NOTEBOOK

Primary Sidebar

Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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