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Publishing exquisite fiction since 1991.

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More than a Name on the Masthead

by Jess Stoner | July 4, 2013

There are many ways to end the sentence, “American Short Fiction is _________.” ASF is its traditional blurb.  ASF is stories that take a different way home.  ASF is supported by readers and subscribers, and has been since 1991. But we also want to draw attention to the fact that ASF is … because of the generous and sharp folks who volunteer their time behind the scenes, reading submissions with attentive care. We depend on them; our magazine is better because of them, and we want you to know them, because they’re more than just a name on the masthead. 

Introducing Vincent Scarpa, an Assistant Editor at American Short Fiction.

vincentscarpa

Who are you, Vincent Scarpa? 
In the existential sense? Still working on answering that. I often feel that I’m very close to understanding, but then I read Kierkegaard and I’m like, fuuuuuck, not a goddamn clue, am I an anything?

In the more literal sense, I’m a fiction writer who now has the privilege to be a part of the American Short Fiction team. I was born and raised in Vineland, NJ, the second least-educated city in the country, did my undergrad at Emerson College in Boston, and am now in the process of moving to Austin to start my MFA at the Michener Center. I’ve had stories appear in Hayden’s Ferry Review, Baltimore Review, and a few other places. Last year, most likely due to a clerical error that went and continues to go uncorrected, I received the 2012 Norman Mailer College Fiction award for a story I wrote about a phone psychic in Independence, Kansas.

What is it about fiction?
It’s what Joy Williams writes, end of thought process. I was going to add more about how I love the form of the short story—its limitations, its challenges, its power—but I think what it is about fiction is that Joy Williams writes it so it’s where I like to hang my hat, in the hopes that one day I will write one story that could possibly ride in the sidecar of a motorcycle of a story like  “Health” or “The Last Generation” or “Honored Guest.” More people need to be reading Joy Williams. My favorite JW sentence: “He was gaunt and his head was scarred, and he tended to resemble, if left to his own devices, a large white appliance.”

How did you become an Assistant Editor at American Short Fiction?
Blackmail. Luck. Begging. Prayer (kidding, there is no Comfort).

What jobs, other than Assistant Editor at American Short Fiction, have you held?
In college, I worked as a transcriptionist for about three weeks. All the jobs assigned to my queue ended up being eulogies and it was terribly depressing and also I had a terrible work ethic due to my high intake of marijuana and my propensity to get lost in marathons of Reba. [I was unmedicated at the time, if that wasn’t clear.]

http://www.youtube.com/watch?v=OmUaFrVteHQ

Filed Under: NOTEBOOK Tagged With: Joy Williams, Reba

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

Issue 81 is out now: guest-edited by Fernando A. Flores, with stories by Julián Delgado Lopera, Carmen Maria Machado, Ruben Reyes Jr., and more. Order yours today!

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