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Scary Stories 101

by Adeena Reitberger | October 29, 2013

skeletonHere at American Short Fiction, we’re split down the middle regarding our feelings for Halloween. Some of us want to get into costume, but just as many want to go into hiding. Thankfully, one thing we can all agree on is that we enjoy a good horror story. Below, in alphabetical order, are our staff’s picks for our favorite stories that scare us, haunt us, or make us feel exceedingly uncomfortable. And with that in mind: enjoy!

1. “The Rememberer“– Aimee Bender
2. “The Beginnings of Sorrow”– Pinckney Benedict
3. “The Bloody Chamber”– Angela Carter
4. “Fugue State”– Brian Evenson
5. “A Rose for Emily“– William Faulkner
6. “The Lottery“– Shirley Jackson
7. “The Monkey’s Paw“– W.W. Jacobs
8. The Turn of the Screw— Henry James
9. “Monkey Shines”– Stephen King
10. “1408”– Stephen King
11. “The Cottage on the Hill“– J. Robert Lennon
12. “Some Zombie Contingency Plans“– Kelly Link
13. “The Colour Out of Space“– H.P. Lovecraft
14. “Before I Offer Myself to the Birdmen”– Alexander Lumans
15. “The Dark Arts“– Ben Marcus
16. “The Terror“– Guy de Maupassant
17. “The Sisterhood of Night”– Steven Millhauser
18. “Where Are You Going, Where Have You Been“– Joyce Carol Oates
19. “The Tell-Tale Heart“– Edgar Allan Poe
20. “The Masque of the Red Death“– Edgar Allan Poe
21. “The Black Cat“– Edgar Allan Poe

Filed Under: NOTEBOOK

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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