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American Short Fiction

Publishing exquisite fiction since 1991.

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April Wilder

Online Fiction Interview: April Wilder

by Jess Stoner | February 13, 2014

Online Fiction Interview: April Wilder

The stories in April Wilder's debut collection, This is Not an Accident, inhabit, in her words, "the territory of the American absurd," and each first page is like the edge of a cliff. A story might begin, say, in a defensive driving class or in a kitchen with the grandchildren, and then it careens off, suspending the reader in that place where falling feels like flying. Take "Creative Writer Instructor Evaluation Form," which we were so lucky to publish as this month's Web Exclusive; the way it … [Read more...] about Online Fiction Interview: April Wilder

Filed Under: NOTEBOOK Tagged With: Absurdity, April Wilder, This is Not an Accident

Creative Writing Instructor
Evaluation Form

by April Wilder | February 1, 2014

Creative Writing Instructor <br> Evaluation Form

  1. The instructor is organized. □ Strongly Agree □ Agree □ Undecided □ Disagree □ Strongly Disagree   2. The instructor seems generally knowledgeable, at least about the subject she teaches. □ Strongly Agree □ Agree □ Undecided □ Disagree □ Strongly Disagree   3. The instructor is for the most part coherent and sober during her lectures. □ Strongly Agree □ Hard to tell; she often has a “cold” and tells us not to approach her desk □ Coherent and sober … [Read more...] about Creative Writing Instructor
Evaluation Form

Filed Under: WEB EXCLUSIVES Tagged With: April Wilder, Online Fiction, Web Exclusive

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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