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Kossola

Dinosaurs, the Alphabet, and Ten Things to Consider Prior to Submitting a Story for Publication

by Nate Brown | August 1, 2018

Dinosaurs, the Alphabet, and Ten Things to Consider Prior to Submitting a Story for Publication

I. To Begin, a Note about Pleasure A few years ago, the late James Salter was honored at the annual F. Scott Fitzgerald Festival with a prize in Fitzgerald’s name. During his keynote address at the award ceremony, Salter said something that was stupefying in its simplicity: reading, he said, was among the very greatest pleasures in his life. Perhaps that’s not a surprising sentiment for a writer so notably interested in pleasure, especially the pleasures of food, drink, travel, language, and … [Read more...] about Dinosaurs, the Alphabet, and Ten Things to Consider Prior to Submitting a Story for Publication

Filed Under: NOTEBOOK Tagged With: acceptance, adjectives, ajectives, Alice Munro, Angela Flournoy, apes, Barracoon, Barrelhouse magazine, Boston, Conversations and Connections conference, Cormac McCarthy, cultural appropriation, Denis Johnson, dialect, dinosaurs, editing, ellipses, empathy, F. Scott Fitzgerald, Fitzgerald Festival, Fuckhead, James Baldiwn, James Baldwin, James Salter, Jenny Zhang, John Gardner, Kaitlyn Greenidge, Kossola, Lionel Shriver, Mary Gaitskill, Muse and the Marketplace, Narcissus, Nate Brown, Paul Auster, pleasure, publishing, racism, reading, rejection, Rickey Laurentiis, semiotics, Sex, Short Stories, Solmaz Sharif, story submission, Sublevel magazine, Ted Thompson, Tim Barris, Toni Morrison, violence, writing, Zora Neale Hurston

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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