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American Short Fiction

Publishing exquisite fiction since 1991.

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Novels

Against Arguments: An Interview with Esmé Weijun Wang

by Jennifer duBois | April 18, 2019

Against Arguments: An Interview with Esmé Weijun Wang

Esmé Weijun Wang is the author of the novel The Border of Paradise and the best-selling essay collection The Collected Schizophrenias, published in January. Called “riveting” by NPR and “mind-expanding” by the New York Times Book Review, The Collected Schizophrenias offers an intimate and rigorously nuanced exploration of the myriad meanings of schizophrenia—cultural, sociomedical, and personal. In this interview, we talk structure, subjectivity, and liminality. — Jennifer duBois: Can you talk … [Read more...] about Against Arguments: An Interview with Esmé Weijun Wang

Filed Under: NOTEBOOK, NOTEBOOK FEATURE, Uncategorized Tagged With: Esmé Weijun Wang, essays, Fiction, Jennifer duBois, mental health, mental illness, Novels, reading, The Collected Schizophrenias, writing

Video Games, Trash TV, and Death Metal Music: An Interview with Jennifer duBois

by Stacey Swann | April 8, 2019

Video Games, Trash TV, and Death Metal Music: An Interview with Jennifer duBois

Jennifer duBois, author of the acclaimed novels Cartwheel and A Partial History of Lost Causes, has a new novel that was published last week: The Spectators. LitHub lists it as one of the “Most Anticipated Books of 2019,” and Booklist calls is “brilliantly conceived” and “utterly unforgettable.” An excerpt from The Spectators was published in Issue 63 of American Short Fiction. In this interview, we dig into the genesis of duBois’s latest novel, its structural challenges, and what nineties talk … [Read more...] about Video Games, Trash TV, and Death Metal Music: An Interview with Jennifer duBois

Filed Under: NOTEBOOK Tagged With: A Partial History of Lost Causes, AIDS, Cartwheel, Columbine, Jennifer duBois, Jerry Springer, Marilyn Manson, Nabokov, New York City, Novels, Rube-Goldberg, school shootings, talk shows, The Spectators, This American Life, writing

Editorial Outtakes: The Floating World

by C. Morgan Babst | October 9, 2018

Editorial Outtakes: The Floating World

Editorial Outtakes is a series in which we publish excerpts from recent books that you won’t find anywhere else because, prior the publication, these sections were cut. This installment of Editorial Outtakes features a deleted scene from novelist C. Morgan Babst's debut The Floating World. Published in 2017 and out this month in paperback, Babst's acclaimed story of life in New Orleans following the destruction of Hurricane Katrina has been hailed as a poetic and tragic family tale with the … [Read more...] about Editorial Outtakes: The Floating World

Filed Under: EDITORIAL OUTTAKES, NOTEBOOK Tagged With: C. Morgan Babst, cutting, editing, Editorial Outtakes, Fiction, Hurricane Katrina, New Orleans, Novels, the Floating World

From Printed Page to Silver Screen: An Interview with Novelist Ted Thompson

by Nate Brown | September 12, 2018

From Printed Page to Silver Screen: An Interview with Novelist Ted Thompson

Ted Thompson's one of the very first people I met in Iowa City in the fall of 2009 when my wife and I moved there so that she could attend the Iowa Writers’ Workshop. Knowing Ted has given me a close view of watching someone move from drafting a book to editing it, then to selling it to a publishing house and editing it some more. On Thursday, an adaptation of that book—The Land of Steady Habits—will premiere on Netflix. Adapted and directed by acclaimed filmmaker Nicole Holofcener, the movie … [Read more...] about From Printed Page to Silver Screen: An Interview with Novelist Ted Thompson

Filed Under: NOTEBOOK Tagged With: film adaptations, Netflix, Nicole Holofcener, Novels, Ted Thompson, The Land of Steady Habits

Things American: On Quitting the (not so) Great American Novel

by Barbara Bourland | June 5, 2018

Things American: On Quitting the (not so) Great American Novel

I want to tell you, because maybe it’s four in the morning and you’re googling “how to know when to give up on a novel.” How you are supposed to know? I’ve wondered this many times myself over twenty-three months, through a hundred and fifty thousand words, dozens of chapters, three false starts, and too many conversations to count. Then—in a moment—I came to the answer and I gave up on the book. I’ve written three books that came easily. The novel I walked away from was not one of those. The … [Read more...] about Things American: On Quitting the (not so) Great American Novel

Filed Under: NOTEBOOK, THINGS AMERICAN Tagged With: Anxiety, Barbara Bourland, Clinton, Fake Like Me, fear, Fiction, great American novel, I'll Eat When I'm Dead, Novels, on quitting, Politics, social media, Trump, writing

Editorial Outtakes: This Darkness Got to Give

by Dave Housley | July 9, 2018

Editorial Outtakes: This Darkness Got to Give

Editorial Outtakes is a series in which we publish excerpts from recent books that you won’t find anywhere else because, prior the publication, these sections were cut. This installment of Editorial Outtakes features a deleted scene from fiction writer Dave Housley's new novel, This Darkness Got to Give. In the vein of character-driven contemporary horrors like Grace Krilanovich's The Orange Eats Creeps and A Questionable Shape by Bennet Sims, Housley engages with and subverts what readers may … [Read more...] about Editorial Outtakes: This Darkness Got to Give

Filed Under: EDITORIAL OUTTAKES, NOTEBOOK Tagged With: Barrelhouse, books, Dave Housley, Editorial Outtakes, hippies, Novels, Vampires

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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