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Publishing exquisite fiction since 1991.

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Inside the Issue: Tia Clark Reads from “Nutcracker”

by ASF Editors | August 4, 2014

Tia Clark’s story, “Nutcracker,” opens our current issue. Set in a Modell’s Sporting Goods store in one of New York City’s shabbier suburbs, the story is told in the sharp, funny, and frequently affecting voice of a teenaged girl trying to define herself at the edge of a brave new world of independence and sexuality. As Shelly attempts to reconcile the dull daily grind of her outer world with the sizzle of her fantasies, she finds herself suddenly unsure in which space she feels more like herself. In “Nutcracker” we meet a fresh and surprising new voice, and yet the story feels intimately familiar. Here’s Tia Clark, in a segment produced by our digital editor Andrew Bales, reading the first few pages of Issue 57.

Thanks for listening in to the podcast. You can find Tia’s entire story, along with others from Antonya Nelson, Karl Taro Greenfeld, Matthew Neill Null, and Rob Roensch, by ordering a copy of the issue, here.

 


Tia Clark grew up in several New York City suburbs, but currently teaches, writes, and plays laser tag in Bloomington, IN. Her work can be found in FiveChapters, Fourteen Hills, and BLACKBERRY: a magazine.

This podcast features music by the Austin band Borrisokane.

Filed Under: NOTEBOOK, NOTEBOOK FEATURE, Uncategorized Tagged With: Issue 57, podcast, Tia Clark

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Issue 81

Guest-edited by Fernando A. Flores, featuring new stories by Yvette DeChavez, Julián Delgado Lopera, Carribean Fragoza, Alejandro Heredia, Carmen Maria Machado, Ruben Reyes Jr., and Gerardo Sámano Córdova.

You can preview the issue here.

NEWS

Read the winners of the 2024 Insider Prize

Read the winners of the 2024 Insider Prize

By ASF Editors

“Memories are a nuisance,” Peter wrote to one of our writers after reading his short story, “but nonetheless they seem to make us who we are, as this story confirms.” This year’s submissions told many stories burdened with memory, but just as many stared bravely into the face of hope, satirized the state of politics, speculated on the future of the world, or else built entirely new worlds to inhabit. In short, the stories written on the inside reflected the stories we wrote this year on the outside. Stories of human toil and dreams and everything in between.
 

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